Iconic Australian Cartoonist Michael Leunig Dies at 79

Michael Leunig
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Author: Carol Jones

Published: December 20, 2024

Michael Leunig, a well-known Australian cartoonist, poet, and social journalist, died peacefully on 19 December 2024, at the age of 79. His death was announced on social media, surrounded by his children, relatives, and the sunflowers, with Beethoven and Bach music in the background. We remember Michael Leunig with sorrow, as his cartoons changed so many people in ways that words cannot explain. Leunig’s distinctive mix of adorable art and serious criticism of society made a lasting impact on Australian culture and beyond.

Early Life and Career

Born in June 1945, in East Melbourne, Leunig is the eldest of five children. He attended Footscray North Primary School and Maribyrnong High School before briefly attending university and then leaving to focus on his art. His early work appeared in Woman’s Day, London’s Oz magazine, and his first collection of cartoons, “The Penguin Leunig,” was published in 1974.

Leunig’s career took off once he joined The Age newspaper in Melbourne, where he worked for 55 years until he left in September 2024. Celebrities like the round-nosed Mr. Curly and his family of ducks helped him gain fame across the country and beyond the world. His ability to extract laughter and compassion from routine events attracts a wide range of people.

Artistic Style and Influence

Leunig’s work was distinguished by its humorous style and social critique. Unlike typical political cartoonists, Leunig’s drawings frequently addressed societal concerns in a harsh yet amusing manner. His comments extended beyond politics to include personal life, nature, sentiments, and the human condition. His work’s widespread appeal stemmed from its diverse subject matter.

Leunig’s influence extends much beyond his drawings. He was a poet and painter. His prints and drawings were exhibited in public and private collections. In 1999, the National Trust made him a national living treasure and he received honorary degrees from La Trobe and Griffith universities.

Controversies & Legacy

Leunig’s career was not free of controversy. His cartoons frequently examined sensitive subjects, and some readers considered his work insulting. Despite this, his ability to conjure vulnerability and comedy made him a popular character. His recent firing from The Age marked a painful conclusion to a long and successful career. Leunig characterized his dismissal as a “throat-cutting exercise” and accused the editors of censorship.

Fans and cartoonists alike have expressed regret at Leunig’s death. Cathy Wilcox, Oslo Davis, and Wes Mountain, among others, honored his memory. Wilcox known as Leunig’s death “the end of an era,” explaining how his work changed what a political cartoon might be. Davis shared this emotion, stating that Leunig’s death seemed like the end of a movie.

Remembering Michael Leunig

Leunig’s supporters have filled social media with condolences, both sorrowful and grateful for his efforts. He comforted so many and made many people’s plight better through understanding tough times by simply showing solace through drawings. Establishing a difference for those involved in the craft, the way he translated the raw human experience into lines and words makes him different.

Leunig’s legacy will live on through the countless cartoons, books, and memories he’s left behind. His work will continue to inspire and make people smile for generations. His illustrations, books, and calendars will stand as testaments to his legacy, and his influence on later generations of cartoonists can be well seen.

Conclusion

Michael Leunig died, and with him came the end of an era of Australian cartooning. Common paintings and helpful remarks charmed many people, and now his legacy will live through his timeless art. On reflection of his successes, those who support and admire Leunig will remember him as a cartoonist, also as a poet, painter, and psychologist who helped understand the world through the unique perspective he had developed.

Published by Carol Jones

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